Thursday, April 12, 2012

WOW! BOY IN A DRESS - Part III by PAT STREET

To recap, the four things to consider when trying to decide the gender of a child in an antique photograph are Hair, Clothes, Props, and Pose.  In previous posts I covered Hair and Clothes; this time we'll take a look at Props and Pose.

 1.  Boys' props.  If the child is shown with any of the following, it's most likely a boy. The choosing of props was influenced by images of children in popular culture -- trade cards, book illustrations, and decorative prints.

 A.  Equestrian toys.  Rocking horse, hobby horse, toy horse, whip, riding crop or quirt.

 B.  Martial toys.  Toy soldiers, cannon, sword, gun, bow and arrows, drum, or bugle.


 C.  Vehicle toys.  Toy horse and wagon, boat, tractor, car, or train; ride-on toys such as Irish Mail, tricycle, wagon. The first photo shows a boy on the left and a girl on the right. The other photos show boys.


 D.  Tools, building toys.  Shovel, hammer, hatchet, saw, pail, or wheelbarrow; blocks or building set. These are boys.


 E.  Sports equipment.  Cricket bat, baseball bat, ball.

 F.  Boy dolls. I have many examples of boys with dolls. Boys often have boy dolls. As with children, if the doll is wearing a dress, it could be a boy doll.  These children are all boys.

  G.  Gentlemanly props.  Cane or walking stick, pocket watch, or for humorous effect, pipe or cigar.

 H.  Rustic props.  The Huck Finn look. Torn straw hat, wheat straw in the mouth, bare feet. These are all boys.



2.  Girls' props.  The child is probably a girl if you see these props, no doubt meant to indicate that she's motherly, domestic, modest, and feminine:

 A.  Women's tools.  Broom, laundry items, cooking items, tea set, knitting or sewing items., chatelaine (with attached scissors, mechanical pencil, pocket knife, keys, thimble, perfume bottle, watch, coin purse, whistle, etc).

 B.  Dolls and doll buggies.  Usually if the child has a doll, especially a fancy doll, and/or a doll carriage or stroller, it's a girl. These are girls.


 C.  Fashion accessories.  Parasol, fan, muff, purse.  Note: small boys sometimes used muffs. The third child is a boy.

 

 D.  Girls' tricycle.  Considered a more modest tricycle for little girls; they could keep their knees together. These are girls.


 E.  Flowers.  Usually seen with a girl, but surprisingly often with a boy. These are all boys.


 3.  Unisex props.  The child could be either a boy or a girl with any of these:

 A.  Toy or fake animals.  After 1902, teddy bears appeared in many photographs with children of both genders.


 B.  Books.  A book in the image would be meant to suggest that a child was literate, cultured, and scholarly, and— if the book is a bible—pious.  The child holding the book, below, is a boy.

 C.  Musical instruments.  If a child played an instrument, he or she might be posed with it.  Even if a child didn't play anything, sometimes the photographer used a musical instrument as a prop to convey a sense of culture and gentility.  The child with recorder or flute is a boy.


D.  Unisex sports or play equipment.  Tennis racket,  hoop and stick, croquet mallet, roller skates, jump rope.  These are both boys.


E.  Pets.  Children's portraits with their pets were popular.  Including the child's pet gave the child something to relate to and suggested family warmth and a happy home life.  Sometimes the photo studio provided animals (live, taxidermied, fake, or toy) to enhance the photograph.


  4.  Pose.  Sometimes the pose is all that will help you. Here are some ways to tell the child's gender if there are no hair, clothes, or prop giveaways.

 A.  Aside or astride?  If a child is posed on an animal seated aside, it's a girl. It wasn't considered ladylike to sit astride, but some girls did. Boys did not sit aside. This is a girl.


B.  Dance pose.  Generally a girl, unless a vaudeville performer, then sometimes a boy, a boy dressed as a girl, or a girl dressed as a boy. The child on the left is a boy; I'm not sure about the pair of dancers -- either a girl and boy or two girls.


C.  Napoleon pose.  If the child has a hand tucked in the front of the dress or jacket, it's a boy.



D.  Unladylike pose, body language.  Little girls were generally posed to look dainty and demure. If the pose is really unladylike or bold, legs spread, hands on hips, hands in pockets, chances are it's a boy. Sometimes you just have to go with body language!



Identifying the gender of a child in a nineteenth-century (or early twentieth-century) photo isn't always easy. I hope this brief survey of customs in hair styles, clothing, props, and pose has been useful to collectors and sellers!

Click here to read Boy in a Dress! Part I
Click here to read Boy in a Dress! Part II

Click here for more info on Pat Street

Friday, March 30, 2012

HAPPY EASTER? By David Rheingold

If you Google “Sketchy Bunnies” you will find a lot of blogs with ironic Easter Bunny photos. There is much humor to be found via adults in bunny costumes unintentionally scaring children. Easter and the Easter Bunny have come a long way to get to this point. Easter started as a pagan (Saxon) springtime holiday celebrating regrowth and fertility. Bunnies and eggs were obvious signs of fertility. Over time, Christian missionaries merged it into the observance of the Resurrection of Christ. German immigrants in Pennsylvania are credited with creating what has now become the Easter tradition of baskets, dyed eggs and chocolate bunnies.

I have been collecting what I call “Sketchy Bunny” photos for a few years. I find it odd how furry, cute bunnies can become unsettling when transformed into a child's costume or into dolls.  Something is lost in translation when they become bipeds with long, perky ears.

When the costume is combined with an odd pose or odd expression, there is a sketchy aspect to it all:

Perhaps the barrenness of outdoors at Easter also adds to the grimness:

And why not throw in Popeye and harsh flash for good measure:

And here is one which has a real creepy vibe, but I can't figure out how it was created. I assume it was an accidental composition. Any thoughts are welcome!

And Halloween seems to be the best way to exploit the creepiness. Perhaps that's where the modern day Sketchy Easter Bunny belongs.


Thursday, March 15, 2012

A FAVORITE PHOTOBOOTH PHOTO

What is important about the photobooth is the melding of technology with personal aesthetic.  The paid professional photographer has been eliminated and in his place is this cramped curtained booth with a camera at eye level which allows the subject to take on the role of both observer and subject.  Being both behind the camera and in front of it, so to speak, blurs into one role which allows for the subject (or subjects) within the booth to at times create another persona-to control the visual message about who they are and how they wish to be depicted.  But the subject’s eye is often revealed as a studied knowing eye which in fact winks at the potential viewer of the photo as if to say what is revealed is all a joke- thereby functioning as a hall of mirrors which can deflect the true soul of the subject or subjects captured on film.  Thus the camera is used as a device to not only record identity but to create and manipulate it.  

But then another layer “outside the booth” is placed onto the original photo--that of the collector who now owns the photo.  Below are a few collectors'  favorite photobooths which inhabit a digital world years away from that photobooth strip (and they nearly always were created  in a four photo per strip format) which was eagerly clutched in someone’s hand, passed around to gales of laughter, or cut up and put in a wallet as a remembrance of a happy time, a fun vacation or perhaps an emerging crush with the person sharing the booth.

Robert E. Jackson

In no particular order:


One of my favorites.


A black cat named Lucky in a photobooth.  Need I say more? I love the allure and mystery behind the black cat. I also love that it was  perfectly hand colored back in the day.  I just got this photobooth and it's easily become my favorite.

Albert Tanquero
For more on Albert, click here. 


This photo is one of seven in this larger size. I also have 40 more regular-sized photobooth images of the woman and her family. There is a photomatic of her as well.  I love their eyes in this shot, not to mention the wonderful painted background.

Erin Waters
For more on Erin, click here. 


Double-exposure photobooth photos I think are really rare.  This photo is magical to me and is one of my top favorites.

Robert E. Jackson
For more on Robert, click here. 


This one just reads well.  It has that bright enthusiasm one gets when even just thinking of going into a photobooth. 



Take this simple exercise with me:

1)Close your eyes right now just for a moment and imagine your going into a one. (No, really just do it).
2) Pull the curtain back and look inside, empty right? Take a look at the seat, and now turn around and look at the mirror ( You're smiling right now aren't you?).

3) Sit down, take a seat and look at yourself.  (Are you getting that tickling stomach yet? You feel it?)

4) Okay, drop your coins in and look at yourself again. (No, that's a stupid smile try something else)
.

5) Now hit the button....................................wait, wait.... (Come on, when is this thing going to...)--
6) FLASH! (Don't worry you have a few more to get it right)

.

We still have photobooths today even when  so many cameras can also make phone calls and I believe it is not the nostalgic factor at all, it’s just a magical state of mind-- even one which is childlike, where anything can happen. One is empowered just to forget who they are and to be anyone they want to be for a few minutes.  

Think about it.  Our love for these booths has not diminished at all.





This one is nothing flashy, but I have always loved it.  I love her expression, which is almost a glare and I love the pin holding her shirt closed.  My favorite photobooth.  Hope you like it.

Clare Goldsmith
For more on Clare, click here. 


This Popeye is a combination of two genres--the carnival image and the photobooth. I am always surprised to look through my collection and realize I have more of a particular type of image than I think I do. That's why I love it when asked to select a photo according to a theme,  as it makes me think anew about that theme as it relates to the images in my collection.

Sabine Ocker
For more on Sabine, click here. 


In a photobooth there was no one behind the camera. The occupant inside was in control of the outcome of the photograph. Sort of. Accidents in photobooths were common, as common as the magical mishaps that happened when there was someone behind the camera.

People, in a small private space where they can be themselves, in front of a camera, with no one behind the camera. An automated mechanical process. The film is exposed and a narrative is created.

Was the man in the process of sitting next to the woman? Was he whispering? Trying to make her laugh? Or smile?

We'll never know. We don't need to.


This triple image strip is from a business that has a photobooth for photo ID’s.  I like it because it is uncut and also because of the moody shadows.

Richie Hart
For more on Richie, click here.


Obviously, the star of this photobooth image is the lack of detail in the face. Since the photobooth was designed to take your portrait, this was a photobooth failure. Photographic failures can be wonderfully poetic.

John Foster
For more on John, click here.


I love this young woman, sight seen.  I love her youthful exuberance, her girlishness on the cusp of womanhood, her innocence, her joie de vivre.  It always seems so common, so ordinary, so much the expected, to wish for another person - someone long gone, someone forever unknown, some anonymous being - the happiness and fulfillment that, at bottom, one wishes above all for one's self.  Still, when I look at her, trying on versions of herself, I can't help hoping that she had a Long and Happy Life, and many returns to the photobooth, trying on new faces for the next exciting chapter in her never-ending saga.

John Van Noate
See how young they are? See the way their faces touch, their bemused smiles sublimely curled. They are at an amusement park by a lake and it’s night and the colored lights on the Ferris Wheel just flickered on and off and on again as they walk toward the arcade. Outside the air is growing cooler and, though it’s late September, winter feels imminent. Looming. She is nervous and excited and despite the chilling air, her hand sweats slightly holding his in the photobooth. And she has a secret; a tiny secret like the distant scent of something cooking in another room. She wants to tell him but thinks it best to wait. They are so young and there is yet so much time.

Guy Capecelatro III

Monday, February 13, 2012

A VALENTINE'S DAY or KISS PHOTO

For Valentine's Day, I decided to ask a few collectors to submit a Valentine's Day theme or kiss photo.  I generally hide under the covers all day on February 14th, but the photos below give me hope that romance will come visit me again soon.   Interestingly, amongst the ten photos below, four are same sex couples.   Times indeed are a changing.    Next month, a favorite photobooth photo.  Got one?  Send me a scan and tell me why you love it. 

Stacy Waldman


I decided to submit this color photo since it relates to the theme of kissing, but the photo is not exclusively, in my mind, just a pure kissing photo. I like this image because it could be associated with many different snapshot subjects. However for me, the photo is part of my “red” series of one red object in the photo and it is also included in my photos of “just married” pictures.  At the moment, it is to be physically found among “just married” photos.  Yet it could be in someone's collection of car photos. Or in one's collection of square color photos.  And finally, it also works in either a collection of kissing photos or one of people smoking. When viewed within one photo category, it can look different than when viewed as part of a completely different category.  In one, it might be the best photo of its kind; in another grouping, just an average photo.  That is part of the malleable nature of the snapshot and what I love about the medium. And isn’t love the whole theme of this blog entry?

Robert Jackson


What's not to like?  The wallpaper and the table cloth provide a delicately intricate backdrop to an image with movement and passion. The visual vectors of the pallid arms of the protagonists create dynamism and relate, subtly, to the table legs.  I like that the woman is on top of this particular clinch, though on closer inspection, I'm beginning to wonder if the clinched is not, in fact, also a woman.  That would add a great twist to this act of spontaneous, extroverted amour that took place in a solidly American kitchen fifty-four years ago, on a dark February evening. Possibly on Valentine's Day.

Nigel Maister
www.foundphotographs.com



Blurry, much faded, scratched, a corner nicked (all of which adds to its allure, its mystery),  this photograph is so intensely private, the women so cocooned in their romantic involvement, that we, the viewers, feel inevitably like interlopers, voyeurs, spies. They need not shed their clothing for us to see it all --- they've shown us everything. And, of course, they've shown us nothing. We are forever on the outside, looking in through the fogged-up window, guessing, wondering, imagining, but never really knowing.
There is in the best of love that crazy wild spinning, like the Dervish, the mind(s) cut loose from the rational, the earthly, the terrestrial. "Fly me to the moon," we say. We're giddy, light-headed, in a trance, hypnotized. 
Of course we're off in our own little world.  Love is a drug, like the song says. Really. The brain chemistry is the same as that for cocaine. No wonder we want it so much. No wonder people kill for love. No wonder, when they can't have it, they wither and die.
But never mind all that. Happy Valentine's Day, kiddies. Hope your ship comes in real soon, or, if it's already there, that it stays tethered at the dock whilst you off-load some Love Cargo. Just remember this, a kiss is still a kiss. A sigh is just a sigh. The fundamental things apply.
And if you don't mind, set your camera up with a self-timer, grab your significant other, and then just forget about it and let yourself go.  If the shot turns out, send me a copy, will ya?  Gracias.

John Van Noate


Here's my lovey-dovey contribution. Valentiney enough?
I like this one for the composition, the relationship it shows, and the title and detailed information on the back.
Here's what it says:

"Hooked Up"

Seneca No. 8.
3 Foci Lens
Central Plate
Stop 16
Exposure 1/5
Kruxo P.C.

I have gone back to using Kruxo.
They are the best made especially for outdoor work, I think.
The trussel [sic] in the background is nearly 3/4 mi long.

P. Fetcher

Pat Street


Here's a valentine photo I like.  I like to let the photos speak for themselves.

Clare Goldsmith


We see two lovers at the edge of a cliff. I would guess this is a beautiful day in Big Sur, California. I'd like to think the moment and location was so beautiful they pulled off from the winding Pacific Coast Highway and were swept up by the moment-- the soft sun, the sound of distant waves and the kiss of ocean breezes. There's a feeling of infinity and timelessness when you are high above the coast. His arms gently hold hers, and she reaches for his hair. They are becoming one. This scene has taken some time to develop. Literally and figuratively they are "close to the edge" and taking the leap into love. Even someone as cynical as this author has to be envious. One small question I always wonder about with this photo--who took the photo? Were there two couples? Or could this have been a bored or jealous third wheel? Whatever the case, this is a passionate, romantic moment, and I doubt they had any awareness of the camera.


Kim K. Bacon
A new collector



Two men at the beach, Atlantic City, NJ, 1941. One of the first snapshots I ever purchased and still one of my favorites.

Bob Young


Awkward Moment! Vintage photograph, c.1950, Collection of Barbara Levine

BARBARA LEVINE is a collector, artist and dealer specializing in vernacular photography and unusual collections. She is the author of Finding Frida Kahlo, Around The World: The Grand Tour in Photo Albums and Snapshot Chronicles: Inventing the American Photo Album (all Princeton Architectural Press). Her website is www.projectb.com


Gather ye rosebuds, y'all.

Joel Rotenberg


I am intrigued about photobooth shots as they are a "pure" photograph. No shooter was involved in making a decision on how and when to snap the photo. People in a photo booth have 100% say in what ends up in the photo. Ironically, this photo is probably anything but  a deeply romantic, spontaneous moment. On the surface, we see a good smooch with eyes gently closed, giving a sense they are "lost in love." This attractive couple seems to have been kissing quite a long time. However, we know with the photo booth that this must have been quickly posed. Upon closer inspection, the kiss appears to be forced. This almost has a contrived, perfect Hollywood movie feel. His handsome tan goes perfectly with her soft, smooth skin. Her hair looks like it wants to come down in a sexy toss. His perfectly cropped hair and v-neck shirt matches her sleek eyebrow. But, alas, this is a Happy Valentine's Day blog and no sense trying to dissect the projected romance. I'm sure women viewing this photo would enjoy being there kissing him while stroking his chest, and male viewers envision unbuttoning her crisp, white shirt.

David Rheingold
For more on David, click here



Most of us forget all the fondling, knee burns and the lack of sleep one goes through while courting your lover.  This is just a reminder.  Also, a nice touch is the thumb print of the person who printed this.

 Randall di Rijk
For more on Randall, click here.