I collect 19th and early 20th century
U.S. cabinet cards. I know people
associate me with snapshot collecting, but as the years have passed since the
2007 D.C. show at the National Gallery which used my collection to tell the story
(or a story) of the history of the snapshot, I have searched for another area
which might yield some interesting finds and which there would perhaps be less
competition for images. I found it
in cabinet cards. The area is rich in content, understudied, undervalued
(generally), and underappreciated (mostly). There is no book written in English
which deals exclusively with the cabinet card and its history. Not a one. Nada.
My thought would be that if ever a museum show is mounted
using as its basis my cabinet card collection (or images from many different
cabinet card collectors) , the last room or final wall would be devoted to how contemporary
artists are using this 19th century photo medium as the groundwork
for creating their own art. I am a big proponent of the idea that some
collections find me, I don’t actively look for them. That is the case with
altered cabinet cards. I didn’t know such work existed and then I started
seeing them mentioned on Facebook, etc. And I became intrigued and starting
purchasing a few as a natural offshoot of my collecting the originals. People make contemporary dags,
cyanotypes, etc., but the cabinet card is the only 19th century
photo medium I know where artists use the physical object as the basis of
creating something new and exciting.
In other words, I don’t see or hear of many people taking an old tintype
and painting on it (although it has been done to a limited degree). And while there are altered CDVs, the
larger size of the cabinet card offers a richer canvas for creativity. Going down this road has meant dealing
with fine art galleries as some of the artists included here are represented by
galleries and don’t sell their work outright to collectors. This work is not
sold as photography, but as painted or collage pieces using the photo object as
its basis.
So without further ado, I would like to share some examples
of what artists are doing with the cabinet card.
And I should note that this isn’t every artist or altered
cabinet card I own, but a representative sample. There are a few artists who
are still working on pieces which will hopefully end up in my collection.
Artist: Anne La Fever
Artist: Tom Butler
He is represented in the U.S. by Aucocisco Gallery in Portland, Maine. His work was recently the subject of a show there entitled "Inner Worlds." See
http://69.195.124.94/~aucocisc/2014/02/25/tom-butler-inner-worlds/
Artist: Warren Munzel
Artist: Bill Lee
Artist: Mike Wellins
Artist: Jonah Samson
Artist: Amy Johnquest
www.bannerqueen.com
Artist: Alex Gross
His work is represented by the Jonathan LeVine Gallery in NYC.
This piece is entitled "Legolas."
Artist: Colin Batty
Batty's work will be featured in a show at The Peculiarium (founded by Mike Wellins who is one of the artists featured here) in Portland, Oregon, from 4/2 - 5/15/2014
http:/www.peculiarium.com/
Artist: Lynn Skordal
Artist: Marianne Clancy
Encaustic (Heated beeswax to which colored pigments are added).
Artist: Margaret Meehan
From her "Barnburners" series
Gouache and vintage glitter glass
Artist: Rachel Phillips
From her "Divinations" series
Note website and process for making this work on the featured folder for the work above. Her cabinet card art will be featured in an exhibition in July at Jack Fischer Gallery in San Francisco.
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